BJ told us
that he waited until now to teach the “I” extension because before no
one could possibly have related to it. Some people have been with him
for four to five years.
“I”
was described by BJ as being an “ang” nasal sound, vibrating the roof
of the mouth as when chanting “Ang”, only he silently beams the sound
out of his fingertips. It is vibrant but cool and functions very
differently than other extentions. It is neither for scanning nor
healing, but a fine tuning extension; it tells you exactly what the
body wants, where and what it wants first of A, E, O, U and all
frequencies in-between.
All
the other extensions are built between the hands. “I” cannot be done
that way: You sit cross-legged or kneel. The elbows are bent and arms
extended at a slight angle out to the sides. The hands are relaxed,
palms down, or held over the knees while kneeling.
- The feeling of Ang (“I”) is always noticeably felt in the fingertips.
- “I” makes the palms feels itchy when it comes on strong.
- “I” emanates a thick, heavy molasses-type extension.
Once
you have “I” it does not usually shift to other extensions. It stays no
matter how you play with it until you mentally get rid of it on purpose.
Next BJ gave a detailed method of building a solid “I” extension on the hand, essential for it to work:
1. With the palms facing down, shake out one hand (he shook his right hand).
2. Turn the other hand palm up.
3.
Imagine a cup in the palm of your upturned hand. It should feel very
real to you: its weight, texture, shape and color—even a design painted
on it. You are to see it however you like, but as vividly as possible.
4. Keep the feeling of "I" in the fingers of the cup.
5.
Take your right, shaken-out hand and, with the fingers extended, place
them under the left hand’s fingers, pointing in the opposite direction
and consciously sweep the fingers of the right hand upwards parallel to
the left hand’s fingers and over them, as though you are scooping the
extending left hand fingers’ energy in a loop and pouring that energy
like molasses into the “cup”, holding your fingers over the cup until
it is full, repeating the scooping motion if necessary.
I
was told that this process of pouring of one hand with another, into an
imaginary cup in the hand, is similar to imagery used in developing the
other extensions. The difference is in “I’s” method the pouring hand is
not pouring its own energy into the receiving hand but feeding the cup
with the receiving hand’s own energy.
You
can also bend energy into the cup by curling the left fingers towards
the cup and feeling it fall in of its own accord. The only problem may
be, like with some of us, the “I” extension can begin reaching up our
arms.
6.
When the cup is full, shake off the right hand. So far the right hand
should at no point take on the “I” energy. The right hand stays neutral.
7.
Use the right hand to carefully (don’t spill!) pick up your cup and
lift it to in front of you. Hold it without allowing the right hand to
blend in that energy.
8. Turn the left hand palm down, feeling the “I" liquid drip off your fingertips.
9.
Take the cup and, starting at the wrist, pour its contents over the top
of the left hand. Allow and feel the contents dribble down the hand and
off the fingertips. Do this until the cup is empty and the dribbling
has ceased—until it is all off the hand and the cup is dry.
To
end we shook the right hand to keep it clear and used the left hand to
rake, without touching, across the topside of the right hand from the
wrist to the fingertips and on past.
Throughout
this process BJ asked people to notice step by step how it felt,
sounded and looked to them, and the changes the “I” frequency went
through. He said it does not matter which hand is which.
Finally, we broke into groups of three to four people to work with “I” in unison to fine-tune it:
1. Palms up, lightly interlocking the fingers, feel “I” tuning.
2.
Without touching, slightly cup the hands and face them towards each
other making a bell shape. You can put your hand inside the bell to
feel the difference in each person’s hand.
Sat Nam
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